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George, once the largest hotel in New York City, are postcard images taken in the 1930s and 40s. In fact, about the only pictures you can find of the Hotel St. What is unbelievable is that I cannot find a single damn picture of the establishment. The tip comes from a 72-year-old Brooklyn Heights barber named Rocco Scali, who recalls cutting actor Lenny Montana’s hair just before the scene was filmed in the hotel’s lobby bar, according to this NY Times article. In fact, this pivotal scene was actually filmed in the Hotel St. Many argue that it was simply done in the Edison’s bar, and logistically it would make sense – except that nothing at the Edison ever looked like this. 7th & 8th.īrasi is then murdered by Sollozzo in an upscale restaurant…but where was this shot? There has been a lot of debate over this. …shot in the rear entrance to the Hotel Edison on West 46th Street btw. Uneasy with the possible introduction of drugs into his business world, Don Corleone sends Luca Brasi to meet with Sollozzo and pledge his loyalty in order to spy on him. Patrick’s and Saks a block further in both pictures. chain went out of business in the mid-1970s, the building was torn down to make way for the 51-story Olympic Tower currently at the site. Department Store on Fifth Avenue at 51st Street.Īfter the Best & Co. We then join Michael Corleone and his girlfriend Kay Adams as they Christmas shop at the Best & Co. The interior of Genco Oil was reportedly built on the fourth floor of a warehouse nearby to 128 Mott Street (but not actually in the Mietz building). I have no idea how this was allowed to happen, but it’s pretty awful. …and most egregiously, the complete gutting of the ground floor facade. While the Renaissance Revival building is overall in good shape, some changes have been made over the years, including the removal of fire escapes… This was filmed in what was once the heart of Little Italy at 128 Mott Street, known as The Mietz Building.īuilt in 1892, the sprawling Mietz & Weiss Oil Engine Building has a wonderful ever-so-slight curve that follows the path of Mott Street:
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The wedding sequence was staged on the house’s palatial lawn, which I imagine was a major factor for why it was chosen:Īfter a quick jaunt to California involving a movie producer and a horse (to be covered someday by sister site Scouting LA), we return to New York and get our first look at Corleone’s business front, Genco Olive Oil, just as Sollozzo arrives for a sit-down. Our point of view here is toward toward the house…
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In reality, there are actually several houses at the end of the block that were cut off by the fake wall:Īs the wedding progresses, detectives show up to take license plate numbers. Still later, when Kay arrives at the house, we see a different angle including the guard booth. This is what the same angle looks like today:Īnother shot from later in the film offers a better look at the layout: These were all fake, set up at the end of Longfellow Avenue to give the Corleone residence the feeling of a walled compound. What happened to all the stone walls and the entrance gate? The house today is pretty much the same as it appears in the film, except for one detail… This is the Corleone residence today, located at 110 Longfellow Avenue in Staten Island. The Godfather opens at the wedding of Don Corleone’s only daughter Connie. What still remains? Let’s take a closer look. On March 29, 1971, The Godfather, considered by many to be one of the greatest films ever made, began principal photography in New York City.īecause the film is a period piece, The Godfather actually presents a fascinating record of what 1940s-era New York City locations still existed in the early-1970s.
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